克里米亚的宝藏

剧情简介

《克里米亚的宝藏》讲述了什么故事？

《克里米亚的宝藏》　　It was a fateful coincidence that in 2014, just when the Allard Pierson Museum in Amsterdam was staging an exhibition of Crimean artworks, Russia annexed the region. So now the question arises of who should the artworks be returned to? To the museums in Crimea who had been so kind as to loan them out? Or to Ukraine, perhaps, the country Crimea belonged to before the annexation? What should the museum’s director Wim Hupperetz do?
　　Veteran documentary filmmaker Oeke Hoogendijk (The New Rijksmuseum) is just the woman for the job when it comes to turning this complex issue into an exciting film, and finding the human dimension in a tangled judicial tug-of-war. Political, emotional, personal, cultural, and historical interests all jostle for position as lawyers arguing from a purely judicial perspective present their case and distressed museum directors face big gaps in their collections.
　　While archaeologists in Crimea continue their groundbreaking historical work, it looks like their previous finds are going to be re-buried in the Netherlands—shut off from the world in a warehouse, they are perhaps the biggest losers in this conflict.

《克里米亚的宝藏》是哪一年上映的？

这部记录片由Oeke Hoogendijk执导，于2021年上映，作品风格鲜明，在其它题材中具有较高辨识度。

《克里米亚的宝藏》为什么值得一看？

影片由等主演，叙事节奏紧凑，人物关系与情绪推进自然，兼顾观赏性和代入感。

《克里米亚的宝藏》核心看点

类型：记录片；导演：Oeke Hoogendijk；主演：；上映年份：2021。